HASENHERZ

             
              'Perhaps, even today, we do not deal with art. We might have overlooked the moment when it transformed itself into something else, something which we cannot yet name. It is certain, however, that what we deal with offers greater possibilities.' Jerzy Ludwinski, Art in the Postartistic Age, 1970.

                The association HASENHERZ or the Pleasures of the Moving Image and Word started in 2012 as a screening format. Over the last years, it has evolved and is now also producing and conducting long-term projects, such as the recent European cooperation ART WORKS! European Culture of Resistance and Liberation. As a screening- and discussion format HASENHERZ or the Pleasures of the Moving Image and Word simultaneously constitutes a work of art and an instrument of in-depth art examination based on an open exchange between the artist and the audience. HASENHERZ as a nomadic series appropriates the methods of Arnold Schönberg’s Verein für musikalische Privataufführung (Society for Private Musical Performance), 1918, where works of contemporary music were introduced to an audience of musicians and music lovers. Schönberg laid down specific rules for his society, amongst them: the piece shall be played, then discussed with the artist and the audience, followed by another performance of the same piece. This ensures that by hearing an artwork a second time (or seeing, in our case), one can allow it to reveal itself in another way.

            'The most important thing that has to be attempted is, on the one hand, to maintain the conversation – if nothing else, about art – and on the other hand, not to allow such an experiment to end in chatter. HASENHERZ has understood this – may the exercise succeed!'
Franz Schuh

                'I very much admire your structure for the screenings and agree, it always benefits to see short works twice! In two different modes of looking.' 
Rosalind Nashashibi

April 16th 2021
Monika Rinck Zentrum Fokus Forschung, University of Applied Arts, Vienna
Leise hektische Delikte
connecting text fragments by Sonja vom Brocke and Klaus Heinrich

September 24^th 2020:
Pia Palme
12-14 contemporary, Vienna
Eins und Doppelt, 2020.
Interpretation and discussion with Molly McDolan & Ana Inés Feola

September 10^th 2019: Ruth Anderwald + Leonhard Grond Kunsthaus Graz
The Art of Being Governed,
2019, in conversation with  Katrin Bucher Trantow and Judith Schoßböck 

June 15^th 2019:
Annette Weisser
Brücke-Museum
Kanon, 2006

June 15^th 2019:
Svenja Leiber
Brücke-Museum


Das letzte Land, 2014

June 15^th 2019: Maya Schweizer
Brücke-Museum

Passing Down, Frame One, 2007

May 30^th 2019 Karam Natour

January 15th 2016:
Christine de la
Garenne
Das Esszimmer – Bonn

Bokker, 2006
On-dit, 2005

May 11^th 2015:
Henry Hills
Lakeside - Klagenfurt

Failed States, 2008

April 27^th 2015:
Catherine Yass
Novi Beograd

High Wire, 2008

November 21^st 2014:
Saul Levine
Kulturzentrum Minoriten – Graz

Falling Notes Unleaving, 2013

November 21^st 2014:
Ed Atkins
Kulturzentrum Minoriten – Graz

Delivery To The Following Recipient
Failed Permanently, 2011

June 14^th 2014:
Anthony McCall
Kulturzentrum Minoriten – Graz

Line Describing a Cone, 1973

April 5^th 2014:
Astrid S. Klein
Kulturzentrum Minoriten – Graz

We bow in empty LIBERTÉ, 2008

March 1^st 2014:
Philipp Fleischmann
Kulturzentrum Minoriten – Graz

Cinematographie, 2007/2009

January 25^th 2014:
Miloš Tomić
Kulturzentrum Minoriten – Graz

musical diary #1, 2012
musical intermeco #1, 2014 musical diary #3, 2013
musical intermeco #2, 2014

November 23^rd 2013:
Bärbel Neubauer
Kulturzentrum Minoriten – Graz

Fractal Cycles, 2011

November 11^th 2013:
Werner von Mutzenbecher
Whitechapel Gallery – London

Orpheus, 2011

October 12^th 2013:
Basim Magdy
Kulturzentrum Minoriten – Graz

Time Laughs Back at You Like a Drunken Ship, 2012

September 28^th 2013:
Helga Fanderl
Kulturzentrum Minoriten – Graz

16mm Blow-Up, Colour, 2012

May 25^th 2013:
Wendy Vainity
Kulturzentrum Minoriten – Graz

It's a Meat Market, I wanna jump your bones, 2010
Daz a holic, 2012 Julia Gillard's victory song, 2010
Meow meow I am a cat, 2012
virtual wendy lets her hair down, 2012
Discussion with artist Fiona Rukschcio

April 13^th 2013:
Rose Lowder
Kulturzentrum Minoriten – Graz

Bouquets 11-20,
2005-2009

March 16^th 2013:
Stephen Dworskin
Kulturzentrum Minoriten – Graz

Dear Frances, 2003
Discussion with author Franz Schuh

January 26^th 2013:
Maki Satake
Kulturzentrum Minoriten – Graz

Vestige of Life, 2009

December 2^nd 2012:
Hans Richter
Kulturzentrum Minoriten – Graz

Toccata für das mechanische Klavier (Paul Hindemith), 1926
Vormittagsspuk, 1928
Discussion with composer Benjamin Schweitzer

November 10^th 2012:
Rosalind Nashashibi
Kulturzentrum Minoriten – Graz

Lovely Young People (Beautiful Supple Bodies),
2012

October 6^th 2012:
Ruth Anderwald + Leonhard Grond
Kulturzentrum Minoriten – Graz

Paris Tapes, 2012

June 21^st 2012:
The Vasulkas
Kunsthalle Vienna

Voice Window, 1986
Lilith, 1987

May 12^th 2012 + May 10^th 2012:
Hannes Schüpbach
Kulturzentrum Minoriten – Graz
Kunsthalle Vienna

Contour, 2011

April 21^st 2012:
Bruce Baillie
Kulturzentrum Minoriten – Graz

Castro Street, 1966
Valentin De Las Sierras, 1967

April 19^th 2012:
Evelyn Schlag
Kunsthalle Vienna

Evelyn Schlag is reading poetry from: Sprache aus einem anderen Holz (2008)/Language cut out from other wood (2008)

March 8^th 2012 + March 3^rd 2012:
Vivian Ostrovsky
Kulturzentrum
Minoriten – Graz
Kunsthalle Vienna

Eat, 1988 Fone Für Follies, 2008

January 26^th 2012 + January 28^th 2012:
Dominique Willoughby

Kulturzentrum
Minoriten – Graz
Kunsthalle Vienna

Disques stroboscopiques du Dix-Neuvième siècle, 1999
Plongeon, 2005